This collection of essays focuses on the questions of women's access to a written culture and their representation in literature in late medieval Britain. It explores women's engagement with Anglo-Norman, English, Welsh and Latin, and addresses such issues as orality and literacy and women's exclusion from a written tradition. It considers the historical evidence for women's activity as writers, patrons and readers, and examines the representation of women within different literary genres--both secular and religious--their possession or lack of power, and their roles as lovers, mothers and saints.
These new essays by leading scholars explore nineteenth-century women's writing across a spectrum of genres. The book's focus is on women's role in and access to literary culture in the broadest sense, as consumers and interpreters as well as practitioners of that culture. Individual chapters consider women as journalists, editors, translators, scholars, actresses, playwrights, autobiographers, biographers, writers for children and religious writers as well as novelists and poets. A unique chronology offers a woman-centered perspective on literary and historical events and there is a guide to further reading.
Feminist Ecocriticism examines the interplay of women and nature as seen through literary theory and criticism, drawing on insights from such diverse fields as chaos theory and psychoanalysis, while examining genres ranging from nineteenth-century sentimental literature to contemporary science fiction. The book explores the central claim of ecofeminism—that there is a connection between environmental degradation and the subordination of women—with the goal of identifying and fostering liberatory alternatives.
Dealing with texts as disparate as Tagore s early twentieth century novel Chokher Bali and Deepa Mehta s contemporary film Fire, short stories by Assamese women writers, fiction by Mahasweta Devi, poetry by contemporary Bengali women poets, autobiographic
The novelist and essayist Elizabeth Hardwick is one of contemporary America’s most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits—of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle—as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer’s reckoning with the relations between men and women, women and writing, writing and life.