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Chicago Guide to Preparing Electronic Manuscripts
  • Language: en
  • Pages: 143

Chicago Guide to Preparing Electronic Manuscripts

Discusses the basic steps of electronic publishing

Letter from the University of Chicago Press to Ignaz Goldziher
  • Language: en
  • Pages: 1
A Catalogue of the Publications of the University of Chicago Press
  • Language: en
  • Pages: 48
The Chicago Manual of Style
  • Language: en
  • Pages: 48

The Chicago Manual of Style

  • Type: Book
  • -
  • Published: 1982
  • -
  • Publisher: Unknown

Rev. ed. of : A manual of style, 12th ed., rev., c1969. Reflects style preferences and current requirements of many American publishers.

Remembering the University of Chicago
  • Language: en
  • Pages: 593

Remembering the University of Chicago

To celebrate the intellectual achievement of the University of Chicago on the occasion of its centennial year, Edward Shils invited a group of notable scholars and scientists to reflect upon some of their own teachers and colleagues at the University.

Chicago manual
  • Language: en

Chicago manual

None

Signs
  • Language: en

Signs

  • Type: Book
  • -
  • Published: 1989
  • -
  • Publisher: Unknown

None

Music and German National Identity
  • Language: en
  • Pages: 319

Music and German National Identity

Is it merely a coincidence that the three "Bs" of classical music—Bach, Beethoven, Brahms—are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book explores the questions of how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated as "the most German art." Drawing on the expertise of leading scholars in German history, musicology, and German literature, the essays assembled here examine philosophy, literature, politics, and social currents, as well as the creation and performance of folk music, art music, church music, jazz, and pop to explore the ways in which music has continued to play a central role in the German national imagination and in shaping German identity.

Nuclear Physics
  • Language: en
  • Pages: 246

Nuclear Physics

This volume presents, with some amplification, the notes on the lectures on nuclear physics given by Enrico Fermi at the University of Chicago in 1949. "The compilers of this publication may be warmly congratulated. . . . The scope of this course is amazing: within 240 pages it ranges from the general properties of atomic nuclei and nuclear forces to mesons and cosmic rays, and includes an account of fission and elementary pile theory. . . . The course addresses itself to experimenters rather than to specialists in nuclear theory, although the latter will also greatly profit from its study on account of the sound emphasis laid everywhere on the experimental approach to problems. . . . There is a copious supply of problems."--Proceedings of the Physical Society "Only a relatively few students are privileged to attend Professor Fermi's brilliant lectures at the University of Chicago; it is therefore a distinct contribution to the followers of nuclear science that his lecture material has been systematically organized in a publication and made available to a much wider audience."--Nucelonics

The University of Chicago Press: Catalogue of Books & Journals
  • Language: en
  • Pages: 405