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The Count of Monte-Cristo
  • Language: en
  • Pages: 464

The Count of Monte-Cristo

  • Type: Book
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  • Published: 1846
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  • Publisher: Unknown

None

Dominoes: Three: The Count of Monte Cristo Pack
  • Language: en
  • Pages: 88
The Count of Monte Cristo
  • Language: en
  • Pages: 83

The Count of Monte Cristo

  • Type: Book
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  • Published: 2009-12-01
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  • Publisher: OXFORD

The activities in Dominoes keep students engaged in the stories and help to reinforce their understanding of the key language. They can be completed at home or in class. The project activities in Dominoes build on the themes from the story and encourage students to draw on their own experiences. Activities include note-taking and language tasks, leading to extended writing, poster-making, and class presentations. They are ideal for group work in class or individual assignments.

The count of Monte Christo
  • Language: en

The count of Monte Christo

  • Type: Book
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  • Published: 1848
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  • Publisher: Unknown

None

Prisoner's treasure
  • Language: en
  • Pages: 124

Prisoner's treasure

  • Type: Book
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  • Published: 1930
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  • Publisher: Unknown

None

Dominoes: Level 3: Count of Monte Cristo
  • Language: en

Dominoes: Level 3: Count of Monte Cristo

  • Type: Book
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  • Published: 2018-06-28
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  • Publisher: Unknown

Carefully graded, beautifully illustrated stories. Fully dramatized audio recordings featuring native-speaker actors, music, and sound effects. Integrated activities to develop reading skills and increase active vocabulary. Seven pages of grammar activities in every book. Two personalized projects in every book.

Alexandre Dumas
  • Language: en
  • Pages: 352

Alexandre Dumas

  • Type: Book
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  • Published: 2011-09-28
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  • Publisher: A&C Black

The last of Alexandre Dumas's many mistresses, the American actress Adah Menken, called him "the king of romance." She was not thinking only of his immensely popular novels The Three Musketeers and The Count of Monte Cristo - everything about Dumas was touched with the spirit of romance, and it is that spirit which this exhilarating biography captures. There was romance in Dumas's origins. He grew up in the country, the son of a general who fought under Napoleon in Egypt and Italy and whose own parents were a French marquis and a slave from Haiti. As a boy, Dumas's closest friends were local poachers and a gardener whom he once watched cut open a grass snake to liberate a frog. The world was full of magical possibilities, and, in his twenties, after moving to Paris and working as a clerk under the Duc d'Orleans, Dumas established himself, with Victor Hugo, as one of the leading Romantic playwrights. In its scope and richness, Dumas's life bears comparison to those of his fictional heroes. Drawing on Dumas's memoirs and surviving correspondence, Professor Hemmings constructs a fascinating story, first published in 1979, of a writer whose novels continue to excite our imagination.

Oxford Dictionary of Reference and Allusion
  • Language: en
  • Pages: 416

Oxford Dictionary of Reference and Allusion

Previous ed.: Oxford dictionary of Allusions, 2nd ed., 2005.

The Oxford Handbook of European Romanticism
  • Language: en
  • Pages: 750

The Oxford Handbook of European Romanticism

The Oxford Handbook of European Romanticism focuses on the period beginning with the French Revolution and extending to the uprisings of 1848 across Europe. It brings together leading scholars in the field to examine the intellectual, literary, philosophical, and political elements of European Romanticism. The volume begins with a series of chapters examining key texts written by major writers in languages including French, German, Italian, Spanish, Russian, Hungarian, Greek, and Polish amongst others. Then follows a second section based on the naturally inter-disciplinary quality of Romanticism, encapsulated by the different discourses with which writers of the time, set up an internal comp...

The Oxford Handbook of Film Music Studies
  • Language: en
  • Pages: 704

The Oxford Handbook of Film Music Studies

Music has been an integral part of film exhibition from its beginnings in the late nineteenth century. With the arrival of sound film in the late 1920s, music became part of a complex multimedia text. Although industry, fan-oriented, and scholarly literatures on film music have existed from early on, and music was frequently among the topics discussed and disputed, only in the past thirty years has sustained scholarly attention gone to music in visual media, beginning with the feature film. The Oxford Handbook of Film Music Studies charts that interdisciplinary activity in its primary areas of inquiry: history, genre and medium, analysis and criticism, and interpretation. The handbook provid...