"At once profound, spiritual, and witty, Master of the Three Ways is a remarkable work about human nature, the essence of life, and how to live simply and with awareness. In three hundred and fifty-seven verses, the author, Hung Ying-ming a seventeenth-century Chinese sage explores good and evil, honesty and deception, wisdom and foolishness, and heaven and hell. He draws from the wisdom of the Three Creeds Taoism, Confucianism, and Zen Buddhism to impress upon us that by combining simple elegance with the ordinary, we can make our lives artistic and poetic. This sense, along with a particular understanding of Zen that makes art from the simple in everyday life, has permeated Chinese and Japanese culture to this day. The work is divided into two books. The first generally deals with the art of living in society and the second is concerned with man's solitude and contemplations of nature. These themes repeatedly spill over into each other, creating multiple levels of meaning."
The Outer Banks of North Carolina have had a lively and sometimes lurid history going back four centuries. These barrier islands, frequently battered by storms and hurricanes, were the site of the first English colony in North America and figured prominen
Adestination for many tourists eager for sun, sand, and a simpler way of life, and a far distant cry from the glitter and neon of more traditional, commercial oriented beaches, the Outer Banks of North Carolina is a natural wonder sheltering and buffering Eastern North Carolina from the volatile temperament of the Atlantic Ocean. Even before the official birth of North Carolina and into the twenty-first century, this coastal strip of barrier islands has played an important role in the state's and nation's history, from the mysterious and tragic disappearance of the Lost Colony on Roanoke Island to its strategic importance during the Civil War and World War II to today, serving as a friendly ...
This book posits that the ‘refugee crisis’ may actually be a crisis of identity in a rapidly changing world. It argues that Western conceptions of the individual ‘Self’ shape metaphors of political homes, and thus the geopolitics of belonging and exclusion. Metzger-Traber creatively re-conceives political belonging by perceiving the interconnection of each ‘Self’ through its most immediate home – the breathing body. On an experimental literary journey through her own past and that of Germany, she puts political philosophy in conversation with somatic and spiritual insight to expand notions of ‘Self’ and 'Home'. Then she asks: What ethical imperatives arise? What kinds of homes and homelands would we create if we no longer thought we ended at our skin?