This major study brings to light Thoreau's relation to the complex economic discourse of his time and place. Specifically, it examines the impact of transformations in economic thinking and behavior that occurred in antebellum New England and America; these transformations at the level of language; and Thoreau's awareness of these transformations. Neufeldt situates Thoreau in significant economic conditions of his time, investigating how these conditions contained him even as he sought to contain them. Using Walden and "Life without Principle," as main examples, the book considers the questions of why and how Thoreau, who was very much shaped by his culture and its conventions, also contested the limitations of those conventions and used his condition to transform some of them. Thoreau's identity as a literary artist who regarded his writing as his cultural vocation is at the center of the discussion.
Concensus and dissent, persistence and rapid change were at the heart of Yarrow's rich cultural life. These tensions, especially the inevitability of assimilation, walked hand in hand with the young pioneer settlers born in Russia and the next generation born in Canada. There was no possibility that the new generation would be absorbed into a Russian colony ethos or would move elsewhere in order to perpetuate it. Those who grew up in the early years of this community cannot go home again save in memory; the memories of a way of life and its webs of relationships and their meanings will probably die with that generation or those just a few years younger. Village of Unsettled Yearnings harnesses these memories to the surviving records and gives words to them.
"Examines Emersonian naturalism from the standpoint of nonlinearity, offering new ways of reading and thinking about Emerson's stance toward nature and the influence of science on his thought. Windolph breaks new ground by exploring how considerations of shape and the act of seeing underpin all of Emerson's theories about nature"--Provided by publisher.
This book is an analysis of the social criticism and the political implications of rhetorical strategies in personal-political (nonfictional) narratives by liberal American writers from the 18th century till the 1970s. Using the theories of Mikhail Bakhtin, Schueller examines works by Benjamin Franklin, Henry David Thoreau, Henry James, Henry Adams, Jane Addams, James Agee, Norman Mailer, and Maxine Hong Kingston.
The critical literary world has spent a wealth of thought and words on the question of Hawthorne himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the "Hawthorne question" to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The Hawthorne who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his early tales; instead he is revealed to be the skillful manipulator of that narrative voice, an author at an ironic distance from the tales he tells. By focusing on the provincial tales as they were originally conceived--...
Henry D. Thoreau traveled to the backwoods of Maine in 1846, 1853, and 1857. Originally published in 1864, and published now with a new introduction by Paul Theroux, this volume is a powerful telling of those journeys through a rugged and largely unspoiled land. It presents Thoreau's fullest account of the wilderness. The Maine Woods is classic Thoreau: a personal story of exterior and interior discoveries in a natural setting--all conveyed in taut, masterly prose. Thoreau's evocative renderings of the life of the primitive forest--its mountains, waterways, fauna, flora, and inhabitants--are timeless and valuable on their own. But his impassioned protest against the despoilment of nature in the name of commerce and sport, which even by the 1850s threatened to deprive Americans of the "tonic of wildness," makes The Maine Woods an especially vital book for our own time.
Painting Over Sketches of Anatolia is Leonard Neufeldt's seventh book of poetry. In it, we find wars, revolutions, the holocaust, obsolete belief systems, Alzheimer's and ever-present potentialities of the autistic as well as the illusory in the spoken or written word. A dying Plato tries to fight off intrusions of reality. Neufeldt questions whether one can find rootedness in an ethos quite unlike one's own. The realities of discovering and settling in Turkey are uppermost, with "Gulls of the Bosporus/ screaming behind you,/ a city's minarets floating free." But the poems offer deepening lenses as the narrator enters a place of beauty, mystery, legend, painful history, irksome tourists, welcome and joy -- the joy of olive picking, for example, with Mamut's stunning wife: "The rake/ [she] gives me with a Yes/No shake/ of her head is smooth in my hands/ like skin tingling with details as I climb/ the ladder's rungs." As for the snake in the stone wall that does no harm, "May it live for a thousand years."