A radical new work aiming to redefine the relationship between travel and language, focusing on the pivotal bond of language and culture as mediated through translation. An important feature of the Twentieth century has been the enormous growth in travel and the increasing mobility of individuals and groups across societies. A largely neglected aspect of this development has been the relationship of the traveller to language. Across the Lines examines the ways in which language mediates experience across cultures. It assesses a range of travel narratives by writers such as Bruce Chatwin, Dervla Murphy, Eva Hoffman and Jonathan Raban, and uses a theoretical frame of reference taken from socio-lingusitics, literary theory and semiotics. The work looks at what happens to the narrative of travel when the traveller has no grasp of the language spoken and how the status of interpreters, and guidebooks impact on different kinds of travel. Written by one of the leading thinkers in his field, Across the Lines raises concerns, which will be of interest to students and critics of language, translation, travel writing, tourism, and anthropology.
In 1898, documentary footage of a yacht race was shot by Robert A. Mitchell, making him the first Irishman to shoot a film within Ireland. Despite early exposure to the filmmaking process, Ireland did not develop a regular film industry until the late 1910s when James Mark Sullivan established the Film Company of Ireland. Since that time, Ireland has played host to many famous films about the country_Man of Aran, The Quiet Man, The Crying Game, My Left Foot, and Bloody Sunday_as well as others not about the country_Braveheart and Saving Private Ryan. It has also produced great directors such as Neil Jordan and Jim Sheridan, as well as throngs of exceptional actors and actresses: Colin Farrel...
Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.
This monograph is an original and important contribution to the growing body of critical studies devoted to one of Ireland?s major living poets: Eavan Boland (see Haberstroh 1996; Hagen & Zelman 2005). It details the controversies that were prompted by the inclusion of Ireland in a postcolonial framework and then tests the application of an array of cogent theories and concepts to Boland's work. In an attempt to explore the richness and complexity of her poetry, Villar Argaiz discusses the contradictory pulls in her desire to surpass, and yet at the same time epitomize, Irish nationality. Boland's remarkable achievement as a poet lies in her ability to stretch, by constant negotiations and r...
This book is the first history of the Irish juvenile justice system. It charts the emergence of the system from the mid-nineteenth century to the present. From the beginning, the system was dominated by a large network of reformatory and industrial schools which incarcerated tens of thousands of children and remained in existence into the late twentieth century. This dominance was eventually challenged by emerging discourses which emanated from the psychological sciences, social work, youth work and the children's rights movement. The book draws from a wide range of official and unofficial sources in exploring the key rationalities underpinning the system. In adopting a governmentality approach, it also examines the technologies and forms of childhood identity that are employed to govern the child and young person within the context of the Irish juvenile justice system. This unique and original approach will appeal to legal scholars, criminologists and those with an interest in juvenile justice, history and social policy.
"The publication of these texts in a single volume enables the reader to create useful historical comparisons as well as facilitating the careful examination of historical documents. Sources in Irish Art: A Reader will be an ideal text for Irish Studies and relevant Art History courses both at undergraduate and postgraduate levels."--BOOK JACKET.
This Guide surveys existing criticism and theory, making clear the key critical debates, themes and issues surrounding a wide variety of Irish poets, playwrights and novelists. It relates Irish literature to debates surrounding issues such as national identity, modernity and the Revival period, armed struggle, gender, sexuality and post colonialism.
The Butcher Boy is perhaps the finest film to have come out of Ireland. Although it marks a clear break with the more banal canons of realism, it is nonetheless the most realistic of Irish films. It engages with the society and culture of modern Ireland with a wit and ferocity that denies the viewer any easy moral position. Cinema is often thought of as a purely visual art, but this film is adapted from a novel by a filmmaker who is himself a writer of prose fiction. In this study, Colin McCabe examines the process by which fiction becomes film, and writing becomes image.