"This in-depth text ... not only sheds light on the problems inhibiting art education, but also demonstrates how art contributes to the overall development of the mind ... Describes how the arts can be used to develop cognitive ability in children; identifies implications for art curricula, teaching practices, and the reform of general education"--http://www.naea-reston.org/publications-list.html.
Arthur Efland puts current debate and concerns in a well-researched historical perspective. He examines the institutional settings of art education throughout Western history, the social forces that have shaped it, and the evolution and impact of alternate streams of influence on present practice.A History of Art Education is the first book to treat the visual arts in relation to developments in general education. Particular emphasis is placed on the 19th and 20th centuries and on the social context that has affected our concept of art today. This book will be useful as a main text in history of art education courses, as a supplemental text in courses in art education methods and history of education, and as a valuable resource for students, professors, and researchers. “The book should become a standard reference tool for art educators at all levels of the field.” —The Journal of Aesthetics and Art Criticism “Efland has filled a gap in historical research on art education and made an important contribution to scholarship in the field.” —Studies in Art Education
"This book contains detailed examinations of multiculturalism, modernism, and cultural theory, with numerous illustrations for the postmodern art curricula, and contains a series of K-12 classroom portrayals illustrating curriculum activities. The text deals with the postmodern art curriculum for all levels-pre-school through university ... also provides characteristics of a postmodern curriculum and suggests implications for practice including sample lessons at elementary and secondary levels"--Http://www.naea-reston.org/publications-list.html.
Examen del contexto institucional de la educación artística a lo largo de la historia occidental, de las fuerzas que le han dado forma y de la evolución de una serie de corrientes educativas y su impacto en la práctica actual.
Teaching in the Art Museum investigates the mission, history, theory, practice, and future prospects of museum education. In this book Rika Burnham and Elliott Kai-Kee define and articulate a new approach to gallery teaching, one that offers groups of visitors deep and meaningful experiences of interpreting art works through a process of intense, sustained looking and thoughtfully facilitated dialogue.--[book cover]
In this smart survival guide for students and teachers--the only book of its kind--James Elkins examines the ""curious endeavor to teach the unteachable"" that is generally known as college-level art instruction. This singular project is organized around a series of conflicting claims about art:""Art can be taught, but nobody knows quite how.""""Art can be taught, but it seems as if it can't be since so few students become outstanding artists.""""Art cannot be taught, but it can be fostered or helped along.""""Art cannot be taught or even nourished, but it is possible to teach right up to the beginnings of art so that students are ready to make art the moment they graduate.""""Great art cann...
Indigenous Symbols and Practices in the Catholic Church presents views, concepts and perspectives on the relationship among Indigenous Peoples and the Catholic Church, as well as stories, images and art as metaphors for survival in a contemporary world. Few studies present such a multidisciplinary interpretation of appropriation, spiritual and religious tradition, educational issues in the teaching of art and art history, the effects of government sanctions on traditional practice, or the artistic interpretation of symbols from Indigenous perspectives. Through photographs and visual studies, interviews and data analysis, personal narratives and stories, this book explores the experiences of Indigenous Peoples whose lives have been impacted by multiple forces-Christian missionaries, governmental policies, immigration and colonization, education, assimilation and acculturation. Contributors explore current contexts and complex areas of conflict regarding missionization, appropriation and colonizing practices through the voices of Indigenous and non-Indigenous scholars, and provide interpretations and possibilities for the future.
El autor explica la naturaleza cognitiva del aprendizaje en las artes visuales, desterrando la concepción del arte como algo exclusivamente emocional; se plantea cómo los recientes descubrimientos sobre la mente y la inteligencia determinan cuestiones relacionadas con el estatus intelectual de las artes visuales; describe cómo una idea del aprendizaje orientada hacia la cognición cambiaría la manera en que se enseñan las artes visuales; plantea las maneras en que los avances en ciencia cognitiva se pueden aplicar a la educación artística; describe cómo el arte puede utilizarse para desarrollar las habilidades cognitivas de los niños y las niñas e identifica las implicaciones de todo lo anterior no sólo para el currículum artístico, sino para las prácticas educativas y la reforma de la educación en general.
This teacher-friendly resource provides practical arts-based strategies for classroom teachers to use in teaching science content. Overview information and model lessons are provided for each strategy and ideas are provided for grades K-2, 3-5, 6-8, and 9-12. The strategies addressed within the book allow teachers to make science instruction come alive and best meet students' needs.